All sorts of jazz, free jazz and improv. Never for money, always for love.
Jonas Kullhammar is the most talked-about younger, Swedish saxophonist in
recent time. Technically he is exceptionally driven, and he is musically
versatile with fine control of form.
On a newly released concert recording from Glenn Miller Café in Stockholm
he demonstrates that he also controls the beautiful art of dissolving the
form.
Obviously he has, for a long time been waiting to give it a try and his
contributions together with the drummer Paal Nilssen-Love and the bassist
Peter Janson (both also play in some of Mats Gustafsson's groups) is completely
convincing. In the opening title "Cold Thrills", Kullhammar varies
some choppy melody fragments, while Nilssen-Love rumbles on the drums. Kullhammar
kind of punctures his phrases with an unexpected end note, just to move
it ahead in tangled expressivities.
But the group can also restrain. In "Slowdown" Peter Janson opens
with a long melody solo with a slight oriental touch which also could have
fit in a modern mainstream frame. Kullhammar answers with searching phrases,
but his playing is restrained, as he tests the convincing force. The tone
becomes reinforced, but the piece ends up in a meditative monotony, were
some Coltrane phrases give a nice round of.
The music is rich of contrasts, and the inner tensions create whole the
time new, challenging and suggestive figurations.
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