All sorts of jazz, free jazz and improv. Never for money, always for love.
This is excellent Brotzmann through and through, captured live at a nightclub
in Sweden in early 1999. The saxophonist is in top form, direct, powerful,
and charged by the backing of Swedish drummer, Peeter Uuskyla, and Danish
electric guitarist, Peter Friis Nielsen.
This is clearly the saxophonist's show, and he never disappoints, exploding
out of the gate from the first number and rarely relenting. This is the
proverbial music of ecstasy, transcending all notions of harmony and melody
and virtually lifting the listener to an almost transcendental state.
Well recorded, with more than seventy minutes of concert time, Brotzmann
growls, screeches, howls, and never lets go, like a man possessed. A logical
extension of the music of Albert Ayler, Brotzmann pours forth a fountain,
nay, a stream, of seemingly never-ending ideas. Even when the volume occasionally
subsides, he leaves little in his wake, his full tone filling up the room.
Subtlety is blown to the wind, and while his god may be Dionysus, the technical
skill with which he achieves his results is grounded in the severest regimens
of self-discipline and practice.
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