All sorts of jazz, free jazz and improv. Never for money, always for love.
Recorded live during a tour of Poland, this group consists of Dennis
Gonzalez on trumpet, accompanied by his sons Aaron Gonzalez on bass
and Stefan Gonzalez on drums. Rodrigo Amado joins them on tenor
saxophone. This group makes very exciting and consistently interesting
modern jazz, rooted in the freedoms that Ornette Coleman and Eric
Dolphy carved out for jazz musicians last century. “Crow Soul” opens
the concert with Amado’s strong and stark tenor saxophone improvising
over rolling and shifting drum work. Ornette Coleman’s “Happy House”
is a free bopping performance the echoes the music of the first great
Ornette Coleman quintet of the late 50’s and early 60’s. Horns play
the choppy melody over a bed of hollow sounding bass and ever shifting
drums. “Joining Pleasure With Useful” features slow building bass and
trumpet playing patient and thoughtful. Amado joins the fray, playing
in a restrained manner like a coiled snake waiting to strike.
“Document for William Parker” has a fast collective start, with
Amado’s tenor breaking out in an uptempo fashioned with trumpet
riffing along. He builds to a great solo over hyper-nimble drumming and
deep bass. There is a drum interlude with a purposeful and dynamic
solo before the full band returns to conclude the song. The leader
gets some much deserved solo space on “Dialeto da Desordem” and
responds with a spitfire solo. The music on this album is boundless
and open ended, aided immensely by the elastic bass and drum playing
that stretches time and allows the musicians great freedom within the
context of the song. It is a very exciting and worthwhile recording.
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