All sorts of jazz, free jazz and improv. Never for money, always for love.
Assif Tsahar is nervy in his tenor saxophone playing. On a recording from
New York, issued by the Swedish label Ayler Records, he meets the drummer
Hamid Drake.
Tsahar's tone is often broken, with a torn intensity which is full of pain
and joyful happiness.
He varies between lacerated phrases and billowing solos which mirrors a
more active wiliness to build forms, but all of it is coordinated in a artistic
consummate expressive force.
Assif Tsahar searches for a balance between dissolution and a harmonically
ended synthesis. But for the latter there are always conditions laid down,
temporary. Beyond the form there is emptiness, a negation.
It is the research of this emptiness which gives the free jazz its unique
properties like mystery and aesthetics.
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