All sorts of jazz, free jazz and improv. Never for money, always for love.
It is always a blast to hear downtown tenor sax great Steve Gauci,
especially in a new setting with not one, but two Scandinavian quartets.
Gauci has already worked and recorded with The Thing & Scorch
Trio bassist Ingebrigt Haker Flaten on that amazing Clean Feed disc
'Nidihyansana' from last year recorded here at DMG.
Magnus Broo has worked with Ingebrigt in Brötzmann's Chicago Tentet
as well as with playing in Atomic School Days. Steve composed all but
one song here, a cover of Sonny Rollins' "Sonnymoon for Two".
For the opener, "No Color of Its Own," Steve has found some
strong yet subtle like-minded players. Steve's tenor and Mats'
trombone simmer together quietly, while the bass and drums play
skeletally underneath. Both Steve on tenor and Mats on trombone take
great slowly burning laid back solos that get more intense as the
rhythm starts to erupt in the second half of this long piece.
What I dig most about this is that even when the quartet is
playing free, they remain tight, focused and consistently spirited. In
the middle of "Talk Whatever Comes," the quartet suddenly break into a
great groove and swing hard for a bit before the spin into more freer
terrain. It seems like a most natural flow to what has come before and
what comes after.
Trombonist, Mats Äleklint, is someone with whom I was not
previously familiar, but here he is a truly a creative and feisty
partner who can and does spar with Gauci, the two pushing each other
higher and higher.
The rhythm team is also consistently on target, swirling powerfully
together and around one another amazingly well throughout.
On disc 2, Magnus Broo, who can be heard with Ken Vandermark on '4
Corners' (Clean Feed) as well as with Atomic School Days, is yet
another gifted player. Magnus spews forth furious streams of notes that
would give Peter Evans a run for his money.
Again the quartet flows together tightly up and down valleys and mountains, spinning together as one strong force of nature.
Two excellent and inspired quartet dates on all counts.
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