All sorts of jazz, free jazz and improv. Never for money, always for love.
Time Elleipsis comes across as a Theravada-inspired suite, wherein each track covers one section of an epic narrative of creation and destruction, or, at least, the return to such ontologies through ritual. Frederick Galiay is the director, composer, and bassist, and is joined by a line-up that, in their somewhat heavy instrumental arsenal, speak to the doomy art-rock that follows: Antoine Viard on electrified baritone saxophone. Jean-Sébastien Mariage on electric guitar, Julien Boudart, analog synthesizer, and Sébastien Brun & Franck Vaillant on drums acoustic and electronic percussion sets.
What unite Time Elleipsis are the persistent dark aesthetics frequently resting upon an undulating, engine-like thrump. Over this, heavy progressive metal drumming gives way to slow, hazy spacious environments informed by Galiay’s 2019 residency in southeast Asia. Glitched out distorted guitar shines at points, but, despite some violent thrash, is only able to break free from the ambient bass and synth morass for a few minutes at a time. Then, the beautifully dark guitar, plucky electronics and multihued drone seep to the fore. Admittedly, the drum-forward sections and guitar contortions are some of the most attention-grabbing. The potency of this release, however, resides more in its plodding gravity and the ways in which its focus on tonal decay and refraction contribute to a sense of suspended time. A sleeper hit from 2020.
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